Tag Archives: pilot

FOX orders futuristic drama from J.H. Wyman & J.J. Abrams [Update: Another Abrams pilot a-go at NBC]

With Fringe in his rearview mirror, showrunner and sometimes writer and director J.H. Wyman has a new drama at FOX to work on. Today FOX ordered to pilot an hourlong drama from Wyman and J.J. Abrams, the same auspices that brought us Walter Bishop and the rest of the Fringe family. The untitled project is being produced by Abrams’ production company Bad Robot in collaboration with Warner Bros. TV. It’s being described as “an action-packed buddy cop show set in a near future when all LAPD officers are partnered with highly evolved humanlike androids.” Yeah, count me in. Wyman is writing the script and serving as executive producer, a title he shares with Abrams, Bryan Burk, and Kathy Lingg. After the script is locked in and casting choices are made, the pilot will be made and if all goes well we’ll have another Abrams/Wyman futuristic drama on the air in the fall.

Update: Mere moments after wrapping this post news broke that another pilot headlined by J.J. Abrams was ordered by NBC. (After landing the Star Wars directing gig and two pilots at two of the major broadcast networks, somebody is having the best week ever.) This project also falls under the Bad Robot/Warner Bros. TV banners and Abrams is working closely with Alfonso Cuarón (director of Harry Potter and the Prison of Azkaban). It’s working title is Believe and the script is currently being penned by Cuarón and Mark Friedman (Home of the BraveThe Forgotten). Believe is about “the unlikely relationship between a young girl in possession of a great gift/powers — which will come into their own in seven years — and a man sprung from prison who has been tasked with protecting her from the evil elements that hunt her power.” Abrams, Cuarón, Friedman, and Bryan Burk are executive producing. Cuarón is on tap to direct.

Josh Friedman’s ‘Locke & Key’ not dead yet, pilot will screen at Comic Con

I’ve got some good news for those of you following the saga that is the TV adaptation of Joe Hill’s comic book Locke & Key. When FOX’s upfront presentation came and went without a pickup for the spooky pilot, whispers surfaced saying that backing studio 20th Century Fox TV was tempted to pitch it to other networks and cable stations like The CW and Syfy. Unfortunately these networks passed on the pilot, too. After all this rejection typically this would mark the end of a TV project. But Locke & Key is special, you see. Instead of being shelved in the attic, 20th Century Fox TV granted the comic book’s publisher IDW Publishing permission to screen the pilot at Comic Con.

What makes Locke & Key worthy of coming back from the dead. In a word: pedigree. The following people are involved in the making of this show: Josh Friedman (showrunner/executive producer/writer), Steven Spielberg (executive producer), Roberto Orci & Alex Kurtzman (executive producers), and Mark Romanek (director). Miranda Otto and Nick Stahl star. The high-profile pilot was all the buzz during pilot pickup season, but due to production costs and other financial reasons FOX (and the other networks that considered taking it on) ultimately decided to pass on it.

Kudos to IDW for having the guts to ask 20th to screen the pilot in its entirety at Comic Con. And not only that–a panel consisting of Hill and collaborator Gabriel Rodriguez, Friedman, Orci, and Kurtzman will be on hand to discuss the making of the pilot. If there’s any place to resurrect a high-profile comic book adaptation with spooky and mysterious elements attached, it’s Comic Con. If the pilot is well-received by the crowd, there is a chance that network execs might hear their cheers and decided to pick up the series for midseason or fall 2012. I will be attending the screening next month and will report back my impressions. I have a gut feeling Locke & Key is going to be a crowd-pleaser.

Joe Hill shared his reaction to the pilot on his blog. “Mark Romanek and Josh Friedman turned in a hell of a good pilot (says a dude who is, of course, completely unbiased). The finished episode is scary, and lean, and emotionally authentic, and has a similar feel to Super 8; it very much has a kind of early 80s scary-Spielberg vibe. It’s also very faithful to the source material. I’m so, so proud of everyone who worked on it and of what was accomplished. Locke & Key doesn’t have a TV home at the moment, but there’s quite a bit of good will out there for the pilot among those who have seen it. So I can’t say what will happen after SDCC. We’ll just have to – ah – stay tuned.”

[Via Deadline]

ABC picks up Lost writers’ ‘Once Upon a Time’ tale

Rumor had it that former Lost writers Adam Horowitz and Edward Kitsis were shopping around their next TV project to former Lost home ABC.  That proved to be true.  According to Variety, ABC has picked up their “top secret fairy-tale-themed drama series” and now it has a title: Once Upon a Time.  How fitting.  Technically speaking, ABC is only picked up a pilot episode; but with Team Horowitz/Kitsis and Lost co-creator Damon Lindelof signed on as show consultant, I have little doubt the pilot pickup will manifest itself into a 13-episode (or potentially full season) order.  Now it’s time to see who they choose as the female lead…

[Via Variety]