Category Archives: Television

Supernatural ‘Preacher,’ AMC’s latest comic book adaptation, aims to please

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A supernatural Preacher, a gun-toting ex, and an Irish vampire walk into a bar…

During last Sunday’s Morgan-centric installment of The Walking Dead, AMC aired this first-look trailer at the network’s latest comic book adaptation. Preacher, which lasted 75 issues from 1995-2000, was published by Vertigo and hailed from witer Garth Ennis and artist Steve Dillon. The TV adaptation has been a dream project for Seth Rogen and Evan Goldberg, the comedic duo behind Knocked Up, Superbad, and Pineapple Express. The frequent collaborators are teaming up to bring the cult comic book to life, along with writer Sam Catlin (Breaking Bad). Catlin will also serve as EP and commands showrunner duties.

Preacher is the story of Jesse Custer (Dominic Cooper, Agent Carter), a conflicted preacher in a small Texas town who is inhabited by a mysterious entity that allows him to develop a highly unconventional power. Jesse, his ex-girlfriend, Tulip (Ruth Negga, Agents of S.H.I.E.L.D.), and an Irish vampire named Cassidy (Joseph Gilgun, Misfits) embark on a journey to, literally, find God.

And man, does it look fun. In Rogen and Goldberg I trust. Preacher lands on AMC in mid-2016.

‘Star Trek’ to make anticipated return to television…with a questionable twist

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J.J. Abrams was successful in resurrecting Star Trek to the big screen. Now it’s time to see if CBS can do the same on the small screen. The network is employing producer Alex Kurtzman to shepherd Star Trek‘s return to TV. Kurtzman is no stranger to the Star Trek universe; he previously co-wrote and produced Abrams’ reboot films Star Trek and Star Trek Into Darkness. We don’t have a definitive title or plot synopsis just yet; what we have is this:

The brand-new “Star Trek” will introduce new characters seeking imaginative new worlds and new civilizations, while exploring the dramatic contemporary themes that have been a signature of the franchise since its inception in 1966.

In a nutshell, the new TV series will not incorporate the classic original series characters like Kirk and Spock. Instead, it will introduce a new crew and fresh locations and inhabitants to explore.

Now here’s the kicker. CBS will premiere the new Star Trek on its network in January 2017, but following its “special preview broadcast,” the show will be airing exclusively on the network’s CBS All Access streaming service. That’s a subscription-based service that demands a $5.99/month fee to use. Currently, CBS All Access is home to the majority of all the network’s current and past seasons on demand, including all prior Star Trek iterations. This will mark the first time that CBS is adding a new, exclusive series into the fold.

This news is a bit of a shocker to me and the industry overall. Star Trek is such an iconic franchise, and limiting its return to the medium that gave birth to it is a poor decision. Of course, CBS envisions Star Trek‘s inherent popularity to draw audiences to its All Access service. I’ll be curious to see how this all goes down; perhaps if things don’t go according to plan, CBS will do a 180 and air the series on CBS proper. Are you will to pay another monthly fee to access a show not available through your cable provider, even if that show touches that nostalgic place in your heart?

Jump after the break for choice quotes plucked from CBS’ Star Trek press release. Continue reading ‘Star Trek’ to make anticipated return to television…with a questionable twist →

Netflix and Amazon original series rule in November: Marvel’s ‘Jessica Jones’ & more inside

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The month of November is dominated by highly anticipated new original series from Netflix, and one from Amazon (and no, it’s not Transparent). Skip after the break for the full rundown on what to watch this month, streaming service edition. Continue reading Netflix and Amazon original series rule in November: Marvel’s ‘Jessica Jones’ & more inside →

Status update #2 on your favorite new and returning shows

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The TV landscape is a fickle thing as viewers decide whether or not to tune into new and returning series. With that being said, it is prime time to check back into the status of programs spanning the big networks, cable, and premium cable. Shall we?

CBS is a fan of Limitless, the new fall drama that’s based on the 2011 Bradley Cooper film; it has received the Back 9 order that lifts its episode count to a full-season 22. The same can be said for ensemble sitcom Life in Pieces.

NBC is injecting even more life into its solid performers Blindspot, Chicago Fire, Chicago P.D., and Law & Order: SVU. All four dramas–including Blindspot, which was previously granted a full season order–have been allotted one extra episode, upping their respective seasons from 22 to 23 episodes. Elsewhere on the Peacock network, underperformers The Player and Truth Be Told are getting episodes taken away from them. The Wesley Snipes casino drama is seeing its episode count reduced from 13 to 9, and the barely-on-the-radar sitcom is shedding three episodes seeing its total drop from 13 to 10.

Over on FOX, Tuesday night sitcoms Grandfathered and The Grinder led by John Stamos and Rob Lowe, respectively, have both received Back 9 orders, thus sealing their fates to last at least until May of next year.

More updates from ABC, FX, AMC, Starz, and HBO after the break. Continue reading Status update #2 on your favorite new and returning shows →

Happy Back to the Future Day!

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Great Scott, we made it! In Back to the Future Part II, Doc Brown and Marty McFly travel to the future, specifically October 21, 2015. And that day is today! No, we don’t have flying cars, but the Cubs are in the playoffs and Biff is running for president! To celebrate this special occasion, check out this BTTF reunion staged by Jimmy Kimmel. Christopher Lloyd and Michael J. Fox return in character for a fun, 10-minute conversation about the present future they arrive in, via Delorean DMC-12, of course. Then, jump after the break to watch Lloyd as Doc once more in a special announcement hyping the Blu-ray trilogy.

In other BTTF news, Nike has announced a followup to its Nike Mag sneaker. Unlike its predecessor, the 2015 Nike Mag will, in fact, feature power laces that lace themselves, just like they do in the movie. As we near the end of 2015, more details are bound to surface so stick it here for when that happens.

Status update #1 on your favorite new and returning shows

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We’re nearly one month into the 2015 fall TV season, so there’s no better time than now to check on the status of your favorite shows, new and old. I’ll break it down by network.

At CBS, its summer fare was taken under the microscope and only one series made it out alive. Zoo, the animal-themed thriller based on the James Patterson novel starring James Wolk, is coming back for a second season next summer. Sci-fi dramas Extant and Under the Dome are ending after two and three season runs, respectively. The Halle Berry starrer underwent a creative reboot in season 2 and simply couldn’t drum up the ratings needed to continue. Dome, based on Stephen King’s novel, ran out of steam fast as the show quickly exhausted its source material.

NBC is the first network to grant a new fall series a full-season order. Blindspot, starring Jaimie Alexander as an amnesiac Jane Doe who’s covered head-to-toe in mysterious tattoos that are connected to a larger conspiracy, will live on to air a full 22-episode first season on the Peacock network. The FSO follows a pickup of nine additional scripts ordered more than a week prior. Elsewhere, Debra Messing and her crime procedural The Mysteries of Laura has been awarded five additional scripts as its second season aims to go the distance (read: May sweeps).

Fox is showering its Animation Domination fans with love by renewing cult comedy Bob’s Burgers for a seventh and eighth season. As far as new programming is concerned, and in a fairly surprising move, Fox is handing out a full-season order to the Morris Chestnut crime procedural Rosewood before making decisions on higher profile offerings like Ryan Murphy’s Scream Queens and sophomore The Last Man on Earth. Rosewood‘s FSO comes a week after Fox ordered three additional scripts for it. Elsewhere, things are looking up for new sitcoms Grandfathered and The Grinder. The John Stamos and Rob Lowe comedies have both been tasked to pump out six additional scripts apiece. Monday night sci-fi drama Minority Report, on the other hand, reports a gloomy forecast; due to low ratings, the network has cut three episodes from its original 13-episode run. Episode 10, which was written as a fall finale, will now serve as a season (or series) finale, according to Deadline.

More updates from ABC, The CW, FX, and AMC after the break. Continue reading Status update #1 on your favorite new and returning shows →

9 premieres to look out for in October: ‘Homeland,’ ‘The Leftovers,’ ‘AHS: Hotel,’ ‘The Walking Dead’ & more

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We’ve made it through premiere week, and now as we enter October there’s more than a handful of cable offerings you cannot miss. Popular series like Homeland and The Walking Dead make their highly anticipated returns this month. On Halloween, Ash vs. Evil Dead raises hell (literally) as the iconic Sam Raimi creation comes to the small screen. And there’s so much more debuting in-between. Check out my picks after the break. Continue reading 9 premieres to look out for in October: ‘Homeland,’ ‘The Leftovers,’ ‘AHS: Hotel,’ ‘The Walking Dead’ & more →

‘Serial’ podcast transitions to television with new investigative case in the works

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Serial, NPR’s This American Life offshoot podcast that took the nation by storm last October, is coming to television. Host Sarah Koenig and her producing partner Julie Snyder are behind the TV adaptation, and they’re teaming up with Phil Lord and Chris Miller (The Last Man on Earth, The LEGO Movie) to make it happen. According to Deadline, they’re “develop[ing] a cable series that would follow the making of the podcast as it follows a case.” The case at hand, mind you, is not the Adnan Syed investigation featured in the podcast’s first season; the TV show will tackle a new, still undisclosed case.

It was previously reported that Koenig and Snyder have been hard at work on seasons 2 and 3 of the Serial podcast. Last week, I attended a Serial-themed event hosted by the producing partners and they confirmed that they’re still concurrently working on the new seasons, due out this fall and in Spring 2016, respectively. They also referenced a mystery third project in the works, and perhaps the Serial TV series is what they were teasing.

Lord and Miller and Fox21 Television Studios have optioned the rights to the podcast and are currently shopping it around to cable networks. Due to Serial‘s immense popularity, it won’t take long for nets to bite.

“Chris and Phil take an unexpected approach to telling stories and that is so appealing to us at Serial,” Snyder said. “Developing a show with them is exciting because we feel like we speak the same language, only they’re smarter than us.”

“From the very first week of Serial’s release last fall, everyone at Fox 21TVS was obsessed with the podcast,” Fox21 head Bert Salke commented. “One year later, thanks to the incredible passion of Chris and Phil, who flew to New York and shared their vision with Sarah, Julie, Alissa [Shipp, This American Life producer] and Ira [Glass, This American Life host/producer] for what the series could be, we’re moving forward on this exciting project. What you have here is a ‘once every ten years creative storytelling phenom’ with a ‘once in ten years take’ with a ‘once in twenty-five years creative team.’ We are confident we’ll attract a spectacular writer and look forward to pitching it to outlets very soon.”

A self-proclaimed ardent fan of Serial the podcast, this news makes perfect sense to me. Serial, to me, was more than a podcast; it truly felt like I was listening to a TV show and imagining it come to life in my mind. Sort of like an audiobook, I guess. Taking that inventiveness and broadcasting it on a more mainstream platform opens up the addicting world of Serial to a larger audience. Details are scarce, but it sounds like the show will have a camera crew follow Koenig & co. as they perform their investigative duties and try to get to the bottom of an intriguing, unsolved case. This is me spitballing here, but maybe the series will follow the making of Serial’s third season, serving as a visual companion to the podcast. Whatever form it takes, the exciting possibilities are making my head spin. Serial is officially taking over, and there’s no better news than that.

[Via Deadline]

Netflix picks up cult British anthology series ‘Black Mirror’ for 12 new episodes

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Netflix knows how to pick ’em. Today the streaming service added Charlie Brooker’s Black Mirror to its slate of original programming.

If you haven’t heard of the cult sci-fi series, it’s about time you did. Ever since the British anthology show made its way to Netflix, I’ve been spreading gospel about its unique nature and gripping storytelling. I previously described Black Mirror as The Twilight Zone for today’s tech-obsessed generation. Each standalone episode, to varying degrees, pulls back the curtain on what society might look like in our collective not-so-distant future. Episodes are intrinsically satirical, disturbing, unsettling, and most of all, wildly compelling. What’s out there now is a quick binge, too. Brooker produced two seasons (each comprising three episodes) and a special (featuring guest star Jon Hamm) for the UK’s Channel 4 network. All installments (minus the elusive special) are currently available to stream on Netflix, and I highly recommend you add them to your queue, stat.

Brooker has a keen sense of the world’s trepidations as our little “black mirrors” continue to consume our lives (read: smartphones, computers, televisions). Season 1’s “The Entire History of You” is widely considered the series best installment so far; in it, people are embedded with a device that allows you to record everything you do and see and hear. Obviously, this plays to people’s fears about Big Brother always watching, but it makes this fear even more intriguing by adding a personal twist. And then, of course, there’s “National Anthem” which focuses on a fictional Prime Minister who must have sex with a pig in order to save the kidnapped princess. Is a merely a coincidence that Brooker was able to predict something along these lines would actually take place in real life? I think not; he’s that good.

I’m happy to report that Brooker and his executive producing parter Annabel Jones are returning to helm the new episodes coming to Netflix soon. Brooker is already penning the 12 fresh installments, and production begins later this year in the UK. A release date has not been disclosed, but we can certainly cross our fingers for a 2016 launch.

“It’s all very exciting — a whole new bunch of Black Mirror episodes on the most fitting platform imaginable,” said Brooker in a press release. “Netflix connects us with a global audience so that we can create bigger, stranger, more international and diverse stories than before, whilst maintaining that ‘Black Mirror‘ feel. I just hope none of these new story ideas come true.”

“Charlie has created a one-of-a-kind series with an uncanny voice and prescient, darkly comedic vision. We’re tremendously proud to bring Black Mirror to our members as a Netflix original series,” added Cindy Holland, Netflix Vice President, original content.

Check out a mini-teaser after the break.

[Via Netflix] Continue reading Netflix picks up cult British anthology series ‘Black Mirror’ for 12 new episodes →

Nickelodeon ramps up the nostalgia factor with new ’90s programming block ‘The Splat’

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Four years after reintroducing its classic animated and live-action programming from the 90s, Nickelodeon is doing it again, but this time with a new name, a longer block, and a massive marketing push. So long, The ’90s Are All That. Welcome The Splat. This new programming block kicks off on TeenNick on October 5 and will air from 10pm to 6am. That’s a major expansion as the previous ’90’s block aired from midnight to 3am.

From the get-go, The Splat will air reruns of classic shows including All That, Are You Afraid of the Dark, Kenan & Kel, Rocko’s Modern Life, Rugrats, Salute Your Shorts, and The Wild Thornberrys.

“We are looking at our library to bring back ideas, shows that were loved, in a fresh new way,” Russell Hicks, president of content and development at Nickelodeon, spilled to Variety. “We are getting ready to bring back some of the ones [fans] told us multiple times they want to have brought back.”

The Splat is all about recreating Nick during the ’90s. So, for full nostalgia effect, programming stunts (Super Toy Run), promotions and interstitials (Doo-Wop Dinosaurs, Opera Lady) that filled air time during commercial breaks will also be making a comeback. It’ll feel as if you’ve been transported back in time, and that’s exactly what the network is going for here.

“We have been listening closely to our first generation of Nick kids that are craving the great characters and shows they grew up with watching Nickelodeon in the ‘90s,” said Cyma Zarghami, president of Viacom Kids and Family Group. “We designed The Splat with fans and their requests in mind, which means we’re bringing together these beloved series and a high level of digital engagement to give fans a retro media experience they can’t get anywhere else.”

In addition to airing the programming block, Nick intends to increase awareness with a website, a social media push across YouTube, Facebook, Twitter, Instagram, Vine, and other popular platforms, and a custom emoji keyboard featuring related stickers and GIFs.

The time is ripe for something like The Splat. Need proof? Jimmy Fallon recently hosted a Good Burger reunion, inviting All That and Kenan & Kel alum Kenan Thompson and Kel Mitchell to the Tonight Show for some nostalgic fun. The sketch, embedded after the break, has racked over 4.3 million views in just two days. Watching it instantly brought me back to my youth, and there’s no doubt The Splat will do the same when it launches next month. Continue reading Nickelodeon ramps up the nostalgia factor with new ’90s programming block ‘The Splat’ →

Jimmy Fallon & ‘The Tonight Show’ present the quintessential ‘Empire’ parody, “Jimpire”

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The next Tonight Show Digital Original sketch is the Empire parody we should have gotten months ago when SNL didn’t quite hit the mark with theirs. This short is nothing short of hysterical.

Jimmy Fallon stars as Lyon patriarch Lucious. His Terrence Howard impression is one of his best to date; he’s got Howard’s shaky voice cadence down to a science. The premise borrows from the Fox soap. Jimmy’s vetting his inner circle to pick his heir to The Tonight Show, or as it’s aptly called here, the “Jimpire.” The late-night talk show host is self-deprecating at the top of the pre-taped sketch–he makes fun of his finger injury that’s seemingly taking forever to heal.

So who are Jimmy’s possible successors? There’s Questlove of The Roots, the Tonight Show‘s bandleader who harbors “a little secret.” Clearly this is a take on Empire‘s Jamal, but the secret isn’t what you think. Roots MC Tariq is another candidate, and he channels Hakeem with some drip-dripitty-drop-ing. Andre, the eldest Lyon, is also accounted for and the sketch has fun with the character’s temperamental mood swings. And finally there’s Tonight Show announcer Steve Higgins playing Higgy, the Cookie sendup here. He’s just as outrageous in the role as you think he’d be, and more.

There are a couple exciting Empire cameos sprinkled in, but I won’t ruin those for you. Who do you think has what it takes to run the Jimpire? Mash play and find out! (In case you’re wondering, the real Empire returns for its second season this Wednesday, Sept. 23 on Fox.) Continue reading Jimmy Fallon & ‘The Tonight Show’ present the quintessential ‘Empire’ parody, “Jimpire” →

‘Game of Thrones’ & ‘Veep’ win big at record-breaking Emmys

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Andy Samberg of Fox’s Brooklyn Nine-Nine proved to be a fun host at the 67th Emmy Awards. He opened the star-studded night with a pre-taped opening number very much in the vein of his classic SNL Digital Shorts; I related to the sketch about a rabid TV binge-watcher a little too much. It was absolutely hysterical, and Samberg would go on to stretch that funny and quirky tone throughout the rest of the telecast. Later, another pre-taped segment aired featuring Samberg, his Lonely Island crew, and Parks and Rec‘s Jim O’Heir spoofing the Mad Men series finale. There was even a point where the host shared his HBO NOW login information; friends confirmed that it actually worked! Feel free to try it now–using the login khaleesifan3@emmyhost.com and password password1–though be warned that by now someone has likely changed that information to keep the account locked down for him or herself. All in all, though this year’s Emmys ran in a very traditional format (there weren’t any out-of-left-field surprises, unless you count Tracy Morgan’s comeback appearance at the end), Samberg managed to keep audiences thoroughly entertained as a welcome stage presence.

Moving onto the actual awards, this was a record-setting year at the Emmys for myriad reasons. First let’s start with the night’s big winners. HBO’s Game of Thrones and Veep were crowned Outstanding Drama and Comedy, respectively, taking home the most coveted awards of the evening. Thrones won a total of 12 Emmys this year–that’s the most wins in a single year for a series. The previous record holder was The West Wing which won 9 Emmys in 2000. In addition to Outstanding Drama, Thrones also won for its writing (David Benioff and Dan Weiss, “Mother’s Mercy”), directing (David Nutter, “Mother’s Mercy”), and acting (Peter Dinklage). Veep, meanwhile, broke Modern Family‘s winning streak just as the ABC sitcom was hoping to secure a record-setting sixth consecutive win. The HBO comedy took home trophies recognizing its actors (Julia Louis-Dreyfus and Tony Hale) and writing (Simon Blackwell, Armando Iannucci, and Tony Roche, “Election Night”). The premium cable network that airs these shows had the best night: HBO took home a grand total of 14 Emmys (thanks, in part, to Olive Kitteridge dominating the Limited Series categories) and it managed to do something that hasn’t been done in 13 years. The last time the same network had two series that won the Outstanding Drama and Comedy trophies in the same year was back in 2002 when NBC did it with West Wing and Friends.

Elsewhere, the incomparable Viola Davis became the first African American to win the Emmy for Outstanding Lead Actress in a Drama for her role as Annalise Keating in ABC’s How to Get Away with Murder. Her historic acceptance speech was the best and most memorable of the night; if you missed it, you must watch it now. In addition to eloquently quoting Harriet Tubman, she went on to say this amazing line. “The only thing that separates women of color from anyone else is opportunity.”

Also of note, it was the cast of Mad Men‘s final year to win an Emmy and at long last leading man Jon Hamm got the statue. Though he was nominated for his iconic role as Don Draper seven times before, it took lucky number eight to finally break the mold and come out on top. His awkward crawl to the stage made the wait worth it.

Click here to browse all of the winners (and losers) from this year’s Emmy Awards. Spoiler alert: Amazon’s Transparent did well, too. Continue reading ‘Game of Thrones’ & ‘Veep’ win big at record-breaking Emmys →