Category Archives: Music

Hulu lets you ditch ads for $11.99/month

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And just like that, Hulu’s jumping on the ad-free bandwagon. To compete with the ad-free competition (namely Netflix and Amazon), Hulu is now offering a No Commercials plan at $11.99/month. That’s four dollars more than the Limited Commercials plan (formally known as Hulu Plus) that has been around for awhile now. Nearly all of Hulu’s library of TV shows and movies will steam without ads; there are only a handful of series that will roll ads before and after (but not during) a viewing session and they are: Grey’s Anatomy, Once Upon A Time, Marvel’s Agents of S.H.I.E.L.D., Scandal, Grimm, New Girl, and How To Get Away With Murder. The reason? It’s simply a matter of licensing deals. Other than that, you can say goodbye to commercials on Hulu as long as you sign up for or upgrade to the new plan.

“At Hulu, we pride ourselves on listening to our customers and giving them the best possible experience,” said Hulu CEO Mike Hopkins in a blog post. “Many of our customers have asked us for a commercial free option, and so today we are excited to introduce just that. Providing more choice for consumers is fundamental to the Hulu experience, in addition to an array of choices in content and devices, our customers can now choose to watch with or without commercials.”

The ad-free plan comes at a time when Hulu really has to start showing its muscle if it wants to continue to compete with the likes of Netflix and Amazon. Both of those streaming services have consumers flocking to their content libraries thanks to high quality original productions (see: House of Cards, Transparent, etc.) and exclusive partnerships with major film houses. In addition to introducing this new plan, Hulu is doing its part by churning out original content (The Mindy Project is coming soon, as is an anticipated new series from J.J. Abrams and Stephen King, 11/22/63) and making deals with companies like EPIX. In fact, Hulu recently snagged EPIX away from Netflix, and this will result in an influx of hit films from Lionsgate, MGM and Paramount. Game on.

[Via Hulu 1, 2]

Apple rebrands its London-based music festival, announces headliners including Pharrell & Disclosure [Update: More performers added]

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Since 2007, the iTunes Music Festival has attracted many talented and hugely popular musicians to its London venue including Adele, Beck, Coldplay, Elton John, Foo Fighters, Justin Timberlake, Kings of Leon, Lady Gaga, Katy Perry, Maroon 5, Muse, and Paul McCartney. For its ninth outing, Apple is rebranding it to give more exposure to its recently launched streaming music service. In September, the newly christened Apple Music Festival will headline 10 artists; so far, Pharrell Williams, One Direction, Florence + The Machine, and Disclosure are confirmed to perform live.

“We wanted to do something really special for music fans this year,” said Eddy Cue, Apple’s senior vice president of Internet Software and Services in a press release. “The Apple Music Festival is a greatest hits set of ten unbelievable nights featuring some of the best performers on the planet appearing live and interacting directly with their fans on Connect and Beats 1.”

The festival will take place over ten nights from September 19-28 at London’s Roundhouse venue; each night is dedicated to a headliner and a special opening guest. As of today, only One Direction have selected its opening act–English girl group Little Mix. Tickets will be offered for free exclusively to London residents. If you’re Stateside or anywhere else around the world for that matter, you can still watch the concerts live via Apple Music (on an iOS device), iTunes (on PC and Mac) and Apple TV. In addition, Zane Lowe and his team of DJs on Beats 1 will air coverage from the festival, and participating performers will be posting backstage content on their Apple Music Connect pages.

Apple claims that iTunes Music Festival musicians have played in front of more than half a million fans and tens of millions more online and on-demand. With the proliferation of Apple Music subscribers (who’ll continue to use the streaming service for free until Sept. 30), I’ll bet that those numbers increase exponentially this fall when the Apple Music Festival jams out across iPhones, iPads, iPods, computers, and Apple TV.

Update (9/2): Apple’s announced more headliners and openers for this month’s Apple Music Festival. English pop group Take That, “I Can’t Feel My Face” singer The Weeknd, and British electronic dance music band The Chemical Brothers are the latest headliners to join the lineup. As far as new openers are concerned, Pharrell has picked Leon Bridges to warm up his crowd, and Florence + The Machine will introduce James Bay before taking over the stage. Will update this post as more performers are added.

Jemaine Clement of Flight of the Conchords talks up movie & tour aspirations

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Everybody’s favorite parody folk duo, The Flight of the Conchords, is making a comeback. One half of said duo, namely Jemaine Clement, confirmed to Indiewire just last week that a movie is in the works.

“We have actually started writing one,” Clement shared. “But who knows if it will ever be made, we’ve written some notes for some different film ideas. We’re not down to the stage where we’re going, “The film is going to be like this,” it could be this, this, this, this, this.”

A movie, of course, would continue the musical adventures of Clement and Bret McKenize since they bowed out of the TV space in 2009 after two memorable seasons of Flight of the Conchords on HBO. Clement’s comments make it sound like the project is very much incubating in its early stages. It’s not clear if this will be a theatrical release or a TV special. But hey–any news from the FOTC guys is good news, am I right?!

And if that wasn’t enough to satiate your Conchords appetite, there’s this: the New Zealanders are prepping to tour again! In a separate interview with Consequence of Sound, Clement had this to say on the matter.

“We were planning on [touring] this summer, but then I ended up doing [Steven Spielberg’s next film] The BFG instead. So it’s my fault we didn’t do it this time. But we are hoping to announce a tour. We’ll announce it before the end of the year, hopefully, and then some time next year get on the road … after we get some new guitar strings and that sort of thing.”

Clement referenced going on tour earlier this year with Billboard. He told the site that he and McKenzie “are planning on touring later on in the year in the States. It isn’t very solid yet, but we’ve been talking about it.” He went on to admit, “I really don’t like the studio part of music. I more enjoy playing live and letting others take care of the recording.”

A movie and tour. It’s an exciting time to be a Conchords fan. When details drop, you’ll be the first to know. For now, let’s boogie.

Kid Cudi drops guitar-infused single ‘Confused” off his next album ‘Speedin’ Bullet to Heaven’

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It’s been a minute since Kid Cudi shared new music with his cult following. It happened back in early March when he dropped the Ratatat-sampled “love.,” a track that was left on the cutting room floor during the making of his third studio album Satellite Flight: The Journey to Mother Moon.

Late last night, Cudder made his comeback by releasing the first official single off Speedin’ Bullet to Heaven, his next album. “Confused” is produced by Cudi and features guitar and bass instruments played by the artist. “Who am I? / Who are we? / Confused, truth is what I choose / Heal I never do,” he croons on top of a grungy beat.

What makes Cudi such a refreshingly unique player in the hip-hop community is that he’s bold enough to reinvent himself on a whim. The third and final installment in his Man on the Moon trilogy is still in the works, and in the meantime he’s been experimenting with a more rock-n-roll vibe, plucking his guitar and traversing in and out genres. It’s hard to call him a rapper these days–Cudi simply cannot be cornered into a single definition. Whether or not you enjoy the deviating paths he’s taken to get here, you’d be remiss not to applaud his resilience to be different.

In a series of tweets from early July, Cudi expressed that “This album is 100% the purest form of my artistic self” and “I’ve ripped my heart out and carved it into tiny pieces of musical madness.” He confirmed that “There are no synths or electronic sounds” on Speedin’ Bullet to Heaven and that it will “consist of all guitar and bass played by myself.” Though the album’s release date has yet to be solidified, Cudi said that it was “98% finished” on the 4th of July. Stay tuned!

“Confused” is streaming on SoundCloud. Thoughts?

This singing machine alleviates our inevitable A.I.-run future

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Artistic takes on artificial intelligence, such as Alex Garland’s excellent sci-fi film Ex Machina and AMC’s new synth series Humans, provide a glimpse into our not-so-distant future. A future where humans and robots co-exist and it is hard to tell where the “natural” line breaks. What you see here, an art installation by German creative technologist Martin Backes, is a primitive stab at the future of AI. And yet, this fully automated machine which endlessly sings classic ballads from the ’90s, manages to mimic real human emotion. Hit play and close your eyes; if you weren’t told this was machine belting out Whitney Houston and Celine Dion tunes, you might just think it was coming from a muffled human singer. It’s kind of frightening to think about, sure, but I also find the sound soothing.

“As the computer program performs these emotionally loaded songs, it attempts to apply the appropriate human sentiments,” Backes says on his website. “This behavior of the device seems to reflect a desire, on the part of the machine, to become sophisticated enough to have its very own personality.”

Behind the scenes, Backes has a paired a computer with SuperCollider, a programming language used by musicians, scientists, and artists working with sound. The minimalist execution impresses: the screen, the stand, the mic, and the captivating graphical interface supplanting human eyes with lyrics and a mouth constructed of a fluctuating white bar matching note inflections.

Whether you know it or not, you’ve likely already accepted primitive AIs into your life. Siri and Cortana and Google Now are all proactive assistants on your phone that communicate with you and learn your preferences and habits. Imagine Siri going off and starting a band; Backes’ creation is just that. Can you imagine a future where Taylor Swift is competing against a machine for a Grammy? It’s strange, but I can.

Disclosure & Sam Smith drop new collab “Omen”

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Disclosure and Sam Smith are back with their second major collaboration. The followup to “Latch” is “Omen” and it features the rising crooner on top of moody Lawrence brothers beat. “Omen” is the second single off Disclosure’s imminent sophomore effort, Caracal. The steamy music video, featuring Smith in a Mexico City club, is the second of a four-part series directed by Ryan Hope. Last month, when Disclosure dropped “Holding On,” part one of the series, they laid out Caracal‘s initial rollout via Twitter:

“We wanted to create something very different with our music videos this time around…something unique that would connect all the songs from the album and the videos in a special way. This is the first of a series of four amazing videos directed by Ryan Hope that come together to create a short film… ‘CARACAL.’ As each music video comes out… The plot unfolds. Hope you enjoy!”

If you’re interested in following the trials and tribulations of Mariela, a rebel caught up in a heavily surveilled dystopian future, watch the video for “Holding On” first (featuring vocals from Gregory Porter) and then mash play on “Omen.” The synth-pop house duo will likely release the final two installments prior to Caracal‘s launch on September 25. Preorder Caracal today, and stream “Omen” on Spotify.

What do you think of the new Disclosure x Sam Smith collab? Think it’ll take over the radio waves like “Latch” did last year? When Disclosure released that Settle single in 2012, it took about two years for it to explode onto scene in the US. At the time, Smith hadn’t even released his solo debut In the Lonely Hour. Now, Disclosure is more of household name here in the States, and Smith has piled on the accolades since his first album dropped. In summation, “Omen” is destined to reach the top of the charts.

2015 MTV VMA nominations: Taylor Swift’s “Bad Blood” dominates the competition

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This year’s MTV Video Music Awards nominations were announced today on Beats 1, a major coup for Apple’s infantile Internet radio station. Too bad the station went down during the live feed. Anyway…

No surprise here: Taylor Swift, the artist who pushed Apple to pay royalties to all artists during Apple Music’s free trial period, comes out on top with the most nominations: nine. Her hit single “Bad Blood,” whose music video was directed by Joseph Kahn, earned seven nods total, including Video of the Year. Ed Sheeran and Beyoncé garnered six and five nods, respectively, thanks to their singles “Thinking Out Loud” and “7/11.” Those music videos join T-Swift’s “Bad Blood” in the Video of the Year category along with Mark Ronson and Bruno Mars’ “Uptown Funk” and Kendrick Lamar’s “Alright.”

The 2015 VMAs airs Sunday, August 30 at 9pm (ET), hosted by Miley Cyrus. Jump after the break for the full list of nominees. Continue reading 2015 MTV VMA nominations: Taylor Swift’s “Bad Blood” dominates the competition →

Zane Lowe debuts Beats 1, already solidifies station as keen music discovery tool (first broadcast tracklist inside!)

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Apple Music is here and Beats 1 is live! DJ host Zane Lowe kicked things off at 9am PT as promised and in case you missed the flip being switched on, you can relive the moment in the SoundCloud snippet embedded above. “We have to kick this whole thing off at some point,” he said coming out of anticipatory mood music provided by Brian Eno’s Ambient 1: Music for Airports. “We spent the last three months trying to build this radio station and now we can build no more. We must launch.”

The first track spun on Beats 1? That was “City” by Spring King. The Manchester band quickly flocked to Twitter to express their surprise and gratitude: “yo @zanelowe are you kidding?!!?!? you just spun our tune! you’re an absolute legend!!” Keep this in mind–it may just be the answer to a future Jeopardy question. But why start with such an obscure song? Well, that’s sort of the point of Beats 1. Lowe and company are aiming to differentiate Apple’s radio station from all the rest–instead of playing songs merely because they are popular, they spin tunes based on their personal tastes and what they think could be and should be lighting the industry on fire.

I’ve been listening into the station for the past two hours and I’m enthused to report that Lowe’s reputation from his days at BBC’s Radio 1 has followed him directly to Los Angeles, his new home for Beats 1. I’m jamming out to artists I have never heard of before, already curating a list for me to return to later. Following Spring City, Lowe celebrated AC/DC entering the world of streaming music with their classic track “For Those About to Rock (We Salute You).” Later in the first hour he debuted Pharrell’s brand new song “Freedom,” a current exclusive to Apple Music and the first “world record” on Beats 1. And because he likes it so much, Lowe played it again right as it was fading out. By the end of the first hour, Lowe was introducing another never-heard-before track, a “world first” from rising R&B crooner Gallant and it’s called “Weight in Gold.” Hour 2 saw the first song to stream from Dr. Dre’s iconic rap album The Chronic, “Let Me Ride,” as well as a new song from Eminem, “Phenomenal,” from the upcoming movie Southpaw. All in all, Lowe is indeed the tastemaker that UK music fans have always touted him to be, and I can’t wait to use Beats 1 as a music discovery tool from now on.

Be sure to check out the new portal applemusic.tumblr.com to see Beats 1’s schedule for your time zone. Zane Lowe in LA, Ebro Darden in NYC, and Julie Adenuga in London host programming blocks Monday through Thursday. In addition to pumping tunes, the DJs will also air interviews exclusive to the station. Lowe confirmed today that his upcoming interview with Eminem will air tomorrow (7/1). Also, Pharrell’s radio show “Other Tone” is debuting July 5 at 3pm. Click that link to find out when more shows are launching including The Pharmacy with Dr. Dre, Elton John’s Rocket Hour, and Jaden Smith’s MSFTS FREQUENCY. Want to request a song? Call in!

Dying to know the tracks Lowe broadcasted worldwide to over 100 countries over the course of Beats 1’s first couple hours? Jump after the break. Continue reading Zane Lowe debuts Beats 1, already solidifies station as keen music discovery tool (first broadcast tracklist inside!) →

Apple Music and Beats 1 launch Tuesday, here’s what you need to know

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On Tuesday, June 30, Apple Music goes live and it may very well be the next evolution in the music industry like iTunes before it. With Spotify, Pandora, and Rdio breathing down Apple’s neck, the house that Steve Jobs built is ready to take on the competition with both feet in, offering up a subscription-based streaming service as well as a 24/7 global Internet radio station.

Apple unveiled Apple Music at WWDC earlier this month, and you can learn all about it there. Today I’m here to discuss what’s new before the service rolls out tomorrow morning. First let’s talk exclusives. In order to compete with the aforementioned competition, Apple is taking advantage of its artist relationships to bring special content to Apple Music that listeners won’t be able to find elsewhere. After pulling her latest album 1989 from Spotify’s library, country-turned-pop star Taylor Swift is granting Apple Music streaming rights to it. This followed, of course, Swift’s public letter to Apple regarding paying artists (both large and indie) royalties during users’ free three-month trial periods. Apple’s Senior VP of Internet Software and Services Eddy Cue swiftly took to Twitter to announce his company’s about-face. The indie community, as well as Swift, backed Apple’s decision to pay artists before users’ subscriptions kick in and this seemingly opened the floodgates for more goodwill and exciting exclusives coming to Apple Music. Pharrell is debuting his brand new single “Freedom” exclusively on the service on Tuesday, and it will likely come packaged with a music video. Additionally, Dr. Dre’s iconic rap album The Chronic will stream digitally for the first time on Apple Music; due to a legal spat, the Beats co-founder couldn’t even get it spinning on the Beats Music service before Apple gobbled it up.

The remainder of new information surrounds Beats 1, the new global radio station powered by Apple and run by former BBC Radio 1 DJ Zane Lowe. He’ll be broadcasting from Los Angeles, and two other hand-picked DJs–Hot 97’s Ebro Darden and UK tastemaker Julie Adenuga–will broadcast live from New York City and London, respectively. In an interview with The New York Times, Lowe shared his aspirations for Beats 1, after the break. Continue reading Apple Music and Beats 1 launch Tuesday, here’s what you need to know →

WWDC15: Apple updates OS X, iOS & watchOS, unveils Apple Music streaming service

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2015’s World Wide Developers Conference was all about software for the house that Jobs built. Apple CEO Tim Cook led an extensive first-look extravaganza at the many updates coming to the company’s myriad operating systems. The desktop OS X, the mobile iOS, and even the new watchOS are all receiving user experience and performance upgrades soon. Additionally, Apple unveiled its next revolution in the music industry: there was the iPod, and iTunes, and now Apple Music. Jump after the break to learn all about it. Continue reading WWDC15: Apple updates OS X, iOS & watchOS, unveils Apple Music streaming service →

Coldplay rounds up the cast of ‘Game of Thrones’ for a musical, hilarity ensues

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“Welcome to the crazy wacky world of Game of Thrones,” sings Coldplay’s frontman Chris Martin in this behind the scenes documentary following the making of a musical adaptation of HBO’s hit fantasy series. Taken‘s Liam Neeson lends his signature growl to this funny clip, narrating facts like it’ll take 16 songs to be made before the British band can incorporate them into a full Broadway stage production. Things look bleak when only Mark Addy (Thrones‘ Robert Baratheon) and Iwan Rheon (Ramsay Snow/Bolton) contribute to the cause. Eventually, Kit Harington shows up to truly kick the festivities into high gear (watching Chris Martin embrace Harington as “Jon Snow” is so much funnier than it sounds), and many other Thrones actors start pouring in. The parody has loads of fun with the show’s Theon/Ramsay dynamic, among others. Later, Emilia Clarke belts out a respectable Rastafarian rap about her character’s climb to power, and Nikolaj Coster-Waldau comfortably imbues Jamie Lannister by singing “the first romantic ballad about incest in Coldplay’s career.” And then there’s Peter Dinklage grooving to lyrics about his character Tyrion “still going strong;” you can watch that riveting performance in full here.

Obviously (and rather unfortunately) this Game of Thrones musical produced by Coldplay is merely a gag, but its intentions are thoughtful. It was put together for Red Nose Day, a fundraising event that raises money for children in need. The special day originated across the pond in the UK and spread to the US for 2015; this clip first aired on NBC during the network’s Red Nose Day telecast. In case you missed it live and you’re feeling charitable, you can still donate today.

Preview ‘Déjà Vu’, Giorgio Moroder’s star-studded first album in 30 years

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Giorgio Moroder. Does that ring name a bell? If you happened to listen to Daft Punk’s masterpiece release Random Access Memories (2013), then it should. Track number three on the electronic duo’s latest album is titled “Giorgio by Moroder” and it’s an ode to the Italian music producer, songwriter, and DJ. Moroder’s enchanting accent consumes the first half of the track as the highly influential synth-pop-disco-electronica artist describes the early days of his career which peaked in the 1970s and bled into the ’80s. “In the beginning, I wanted to do an album with the sounds of the 50s, the sounds of the 60s, of the 70s, and then have a sound of the future.” And so he began to experiment with the synthesizer, which he describes in Daft Punk’s song as “the sound of the future.” He ends the monologue with this: “Once you want to free your mind about a concept of harmony and music being correct, you can do whatever you want. So nobody told me what to do and there was no preconception of what to do.”

Flashforward to 2015, and Giorgio Moroder is putting the final touches on his first studio album in 30 years. “Daft Punk are the reason why I am here,” he told Rolling Stone. Following the success of RAM, Moroder was inspired to DJ parties again at the ripe age of 74. “I noticed that the audiences were so young, like 18 to 40,” he says. “I felt so young. I mean, I’m 74, but I still felt like part of this young generation. Some of those guys knew my songs and were not even born when they came out. It’s nice to hear a 20-year-old guy or girl sing along with the lyrics.” This would inspire a new track called “74 is the New 24” featured on Moroder’s upcoming record Déjà Vu.

The video embedded above includes snippets of every song included on Déjà Vu, out June 12. Moroder managed to snag big talent for his long-anticipated release. Sia, Kelis, Foxes, Marlene, Charli XCX, Matthew Koma, Mikky Ekko, Kylie Minogue, and Britney Spears have all lent their vocal talents and the overall vibe here is electric. Mash play to preview the album, and head over to Moroder’s YouTube channel to hear the previously released singles in full.