Welcome to the fall 2016 TV season, everybody! In this very post, I’ve brought together the new fall schedules for all four major broadcast networks–namely, CBS, NBC, FOX, and ABC–as well as The CW. Without further ado, jump after the fold for the full breakdown, and note that all new programs are highlighted in red. Continue reading Fall ’16 TV schedule inside!
After three and two seasons, respectively, FX axed Middle Eastern drama Tyrant and musical dramedy Sex&Drugs&Rock&Roll. My thoughts on the former below; spoilers ahead.
I stuck with Tyrant from its humble beginnings, when it was a show about a pediatrician from Pasadena who was quickly thrusted into a heated political landscape in the fictional Middle Eastern country Abuddin. During the show’s initial run, Barry had to acclimate to his estranged family consisting of his despot father and hot-headed brother. In its second going, Barry–now called by his birth name Bassam–worked alongside his brother when their father passed away. Bassam’s brother Jamal had a trigger-finger and was quick to violence, and the show hit its stride when Bassam was able to unlock Jamal’s compassion and dig up long-buried truths between the brothers. In the most recent run, Bassam takes over Abuddin and the show transitions from its familial roots to a hardcore look at the political climate there. It’s about power, and the fallout of gaining too much of it too fast–Barry becomes Bassam the Tyrant, a role he rallied against until he was sitting on the throne. It’s about revenge and sacrifice and forgiveness. That’s what you get when you look at it season by season. As a whole, Tyrant told ripped-from-the-headlines stories about the turbulence in the Middle East, and it gave a voice to those who maybe aren’t so vocal in the news today, supporters of Peace in Islam. It did so with unrelenting realism–death and sacrifice were no strangers to Bassam Al-Fayeed and his family. Far from perfect, Tyrant was a uniquely ambitious TV series in that it told important stories with emotional heft and ramifications that mirror our modern society, and it’s one that I will certainly miss.
Will Tyrant live on? Jump after the break. Continue reading FX ends ‘Tyrant’, an important show of our times
BB-8, the lovable android from Star Wars: The Force Awakens, is about to get a major upgrade. And I’m not talking about Episode 8, I’m referring to the actual BB-8 toy by Sphero! The company’s showing off a new accessory for its BB-8 called Force Band and it allows you to control the android using The Force! Okay, fine, it’s hand motions detected by a wristband–but still! In addition to pushing and pulling BB-8, the wrist-worn Force Band will also have you acting out your favorite Light Saber, blaster, and Force battles; those distinct sounds emit from the band in Combat Training mode. In addition, you can go hunting for digital “holocrons” in your environment–sound familiar? (Cough, Pokemon Go!) The Force Band is compatible with Sphero’s other robots, too. But who are they kidding? BB-8 and The Force is a perfect (Bluetooth) pairing.
Seeing is believing, so check out the Force Band in all its glorious action in the video embedded above. It comes out on September 30 for $79. Or, if you don’t have Sphero’s BB-8 yet, you can buy the android-band bundle for $199. Preorder today. Oh, and one more thing: Sphero’s made a limited edition “Battle-Worn” BB-8 sporting the wear and tear of Resistance missions. Gotta love it! He’s paired with the Force Band for $199. All the above can be preordered today. May the Force be with you, always.
Sia, Aussie vocalist whose wigs never go out of style, is back with a brand new single and she’s enlisted dancer Maddie Ziegler to star in another one of her wild music videos.
The new song is titled “The Greatest” and the music video opens with a hashtag stating “We Are Your Children.” It’s not made clear if this is the name of Sia’s next album, or if it merely refers to the many youthful sprites featured in the video. In typical Sia fashion, she is not present in the clip; Ziegler shines by dominating the zany choreography. The song, as expected, is another Sia smash that’ll have your grooving along in no time. The music and the choreography sync like magic–Sia and Ziegler are truly an artistic match made in heaven.
Sia’s latest, “The Greatest,” can be purchased on iTunes, streamed on Spotify, the works. Note that the single includes a verse from Kendrick Lamar, while the music video leaves that out.
Following the one-two punch that was 2014’s 1000 Forms of Fear and this year’s This Is Acting, I cannot wait to see what Sia has coming soon. With one of the industry’s most utterly unique voices and undeniably catchy sounds, Sia’s next moves are hotly anticipated. I’m still high off This Is Acting, and now this! Continue reading Sia & Maddie Ziegler team up again for new single “The Greatest”
Took ’em long enough! Today Netflix finally made the inevitable official: Stranger Things will return in 2017 with a second season. The 80s nostalgia-infused sci-fi adventure was the streaming service’s breakout hit of the summer, and it was widely expected that The Duffer Brothers would be given the opportunity to explore Hawkins, Indiana, The Upside Down dimension, and beyond with more episodes. In fact, the new season ups season 1’s episode count by one. And get this–all nine episodes have already been titled and the Duffers included the “chapter” names in the Season 2 announcement video embedded above. Can’t help but wonder about “The Lost Brother!”
Now, as excited as we all are about more Stranger Things in the pipeline, the series will be returning without its short-lived and most beloved character. That’s right, I’m talking about Barb. Poor Barb. Barb, who was kidnapped by The Demogorgon and ultimately swallowed up by the creepy-crawlers of the Upside Down. Or was she…
Pop after the break to watch a “deleted scene” from Stranger Things, provided by The Tonight Show Starring Jimmy Fallon. It is a riot. #BarbLives. Continue reading Netflix renews ‘Stranger Things’ for season 2 (“Deleted scene” inside!)
Well that completely came out of nowhere.
Every now and then, a show comes along that reaches out and grips you with its claws and never lets go. Enter STRANGER THINGS, a new Netflix sci-fi drama. After scrubbing through a trailer last month, I quickly dismissed it and I wouldn’t have given it a chance if it weren’t for two of my friends reaching out and demanding I tune in. Word of mouth can be a powerful thing.
STRANGER THINGS is a true amalgamation of every genre I love. When people ask me to describe it, I gush like this: It’s an adrenaline rush of pure adventure, a tale told from the innocent, wide-eyed perspective of a ragtag team of kids. It’s an edge-of-your-seat thriller with nuanced scares that make your imagination do most of the work. There’s conspiracy theories and weird science to wrap your brain around. And it’s all set in an eerie town where nothing is exactly what it seems.
In a nutshell: THE GOONIES + THE X-FILES/FRINGE + TWIN PEAKS = STRANGER THINGS
And let’s throw CLOVERFIELD in the mix for good measure; there’s a Monster here that would make J.J. Abrams and even Guillermo del Toro proud.
Holding this all together is a thick coat of nostalgia. From the neon bright opening credits to an original electronic soundtrack pulsing with 80s flair, STRANGER THINGS is intrinsically a warm, inviting series that draws you in with its recognizable throwbacks. (I mean, look at this poster!) What’ll hook you, though, is the utterly unexpected places it will take you. Well, that and the unbelievably talented cast of unknown kids. They will make you laugh, they will make you cry, they will leave you begging for more.
Now go enjoy this eight hour movie. Happy binging!
Francis and the Lights just released my pick for song of the summer. Never heard of ’em? Neither had I, until last night, when Kanye West tweeted out a link to the music video embedded above, claiming it, “My favorite song this year.” The track, titled “Friends,” is intrinsically pop, with a calm buildup that climaxes into a groovy medley with kaleidoscopic sounds and wavy echoes. The minimalist music video, expertly directed by Jake Schreier in a single shot, is the perfect compliment to the song. Francis Farewell Starlite–the musician behind the Lights–and his erratic dance moves are prominently featured here. Kanye makes an appearance as does Justin Vernon of Bon Iver. The video culminates in cool synchronized dance choreography that effortlessly draws you into the fun they’re having. The combined power of Kanye, Justin, and Francis’ electronic coos is nothing short of hypnotizing! If you are a fan of Vernon’s ethereal touch on West’s Twisted Fantasy tracks “Monster” and “Lost in the World,” then Francis’ “Friends” will surely soothe the soul.
If you’re like me and feel compelled to explore Francis and the Lights’ discography, let me help you with that. From 2007-2013, Francis released four EPs and they’re all available on iTunes. In addition, he scored the sci-fi drama Robot & Frank, which happens to be directed by the music video’s helmer Schreier. Francis recently posted a new song called “Thank You” on SoundCloud, and he’s currently on tour with Bon Iver. And if “Friends” sounds like something you’ve heard before, you’re not alone; Francis sampled the song in a track he produced for Chance the Rapper, “Summer Friends.”
Now excuse me as I plug in my headphones and get lifted by this summer surprise, on repeat indefinitely. Stream it on Spotify and download it on iTunes. Continue reading Kanye West & Bon Iver reunite on eclectic track from Francis and the Lights
The very first standalone Star Wars movie is coming soon, and to (ahem) celebrate, Disney and Lucasfilm shared this Rogue One sizzle reel at Star Wars Celebration in London this week. The nearly three-minute reel takes you in front of and behind the camera, giving you an inside look at how much effort is going into making the world of Star Wars come to life outside the confines of the three trilogies. Episode VII director J.J. Abrams was praised for his use of practical effects in The Force Awakens, and it looks like Rogue One helmer Gareth Edwards (Godzilla) is taking a page out of Abrams’ playbook. The gritty war zones that makeup Rogue One are littered with real explosions and imaginative creature costumes. Of course, these moviemakers simply couldn’t put on the show without pushing the limits of CG animation, but it’s good to know that where possible, what we end up seeing on the big screen is the real deal.
Go on and enjoy the reel; in it you’ll also hear from the cast and crew and maybe learn a little more about the resistance fighters’ daring mission to steal the Death Star plans. Celebration attendees left the panel with the first official poster for Rogue One, and you can eyeball it after the break; that tropical locale in the teaser and sizzle reel now has a name and it’s Scarif. Also screened at the panel but not released on the Internet (yet) was the second teaser trailer for the flick; spoiler alert, it ends with the mother of all teases: Darth Vader is back!
Rogue One: A Star Wars Story hits theatres December 16, 2016. Continue reading ‘Rogue One’ sizzle reel shows off ‘Star Wars’ practical effects (New poster inside!)
Today the latest crop of Emmy nominations were announced, and they include the typical fare you’re used to seeing get recognized this time of year, as well as some welcome surprises and sour snubs.
HBO’s widely popular fantasy drama Game of Thrones earned a whopping 23 nominations, leading the pack by a narrow margin; FX’s The People Vs OJ Simpson: American Crime Story (22 nods) and Fargo (18), as well as HBO comedy Veep (17) aren’t trailing far behind.
The following series vie for Best Drama: The Americans (!), Better Call Saul, Downton Abbey, Game of Thrones, Homeland, House of Cards, and Mr. Robot. That’s right–FX Cold War period drama The Americans, after four seasons on the air, is finally being recognized, and in more ways than one. In addition to landing in the Best Drama field, its stars Matthew Rhys and Keri Russell are in the race for Best Lead Actor/Actress. Both are facing some serious competition. Rhys joins Kyle Chandler (Bloodline), Rami Malek (Mr. Robot), Bob Odenkirk (Better Call Saul), Liev Schreiber (Ray Donovan), and Kevin Spacey (House of Cards) in the Best Lead Actor category; Russell makes good company with Claire Danes (Homeland), Viola Davis (How to Get Away With Murder), Taraji P Henson (Empire), Tatiana Maslany (Orphan Black, for the second consecutive year!), and Robin Wright (House of Cards).
The following series are in contention for Best Comedy: black-ish, Master of None, Modern Family, Silicon Valley, Transparent, Unbreakable Kimmy Schmidt, and Veep. Best Lead Actors include Anthony Anderson (black-ish), Aziz Ansari (Masters of None), Will Forte (The Last Man on Earth), William H Macy (Shameless), Thomas Middleditch (Silicon Valley), and Jeffrey Tambor (Transparent). Best Lead Actresses include Ellie Kemper (Unbreakable Kimmy Schmidt), Julia Louis-Dreyfus (Veep), Laurie Metcalfe (Getting On), Tracee Ellis Ross (black-ish), Amy Schumer (Inside Amy Schumer), and Lily Tomlin (Grace and Frankie).
Over in the Limited Series field, American Crime, Fargo, The Night Manager, The People v. OJ Simpson: American Crime Story, and Roots were all nominated for a top prize. Yes, many of the OJ actors you loved watching in that series were nominated for their captivating portrayals including Sarah Paulson, Courtney B. Vance, Cuba Gooding Jr, Sterling K. Brown, David Schwimmer, and John Travolta. Equally happy to report that AMC’s The Night Manager high praise also extends to its leads Tom Hiddleston and Hugh Laurie.
The snubs that leave a sour taste in my mouth including the complete shunning of HBO’s The Leftovers, which came off an incredibly artistic and gripping second season featuring master-class acting and direction; the lack of love for A&E’s Bates Motel is appalling as leads Vera Farmiga and Freddie Highmore gave painstakingly breathtaking performances this year; also nada for Netflix/Marvel’s Jessica Jones and its stars Krysten Ritter and David Tennant, AMC’s Billions and its stars Paul Giamatti and Damien Lewis, and Netflix’s Orange is the New Black which is fresh off another solid season. And then, of course, there’s the yearly tradition of scratching one’s head over the lack of overall recognition for AMC’s The Walking Dead which year after year produces not only ratings gold but also creative powerhouse television. What makes all of these snubs somewhat more palatable is knowing that Louie Anderson squeezed into the race with a wholly deserved nod for his hysterical and nuanced turn as Zach Galifianakis’ mother in FX’s Baskets.
The 68th Primetime Emmy Awards airs live Sunday, September 18 at 7pm (EST) on ABC. Click here for the full list of nominees.
AMC’s Preacher premiered in late May, just as the traditional TV season winded down, and it quickly proved to be wildly entertaining summer fare. Producers Seth Rogen and Evan Goldberg, along with Breaking Bad producer Sam Catlin, took the popular comic book series by Garth Ennis and Steve Dillon and adapted it for the small screen without missing a beat. The darkly comedic drama twists the supernatural genre on its head, weaving a wild tale about good vs. evil featuring a talented cast of misfits including Dominic Cooper’s entitiy-empowered Jesse Custer, Ruth Negga’s bad-ass Tulip, Joseph Gilgun’s hysterical portrayal of an Irish vampire named Cassidy. The already mythos-heavy story will continue when an expanded 13-episode second season arrives next year. Preacher currently airs Sunday nights at 9pm on AMC.
“‘Preacher’ is a special television program and we’re eager to share with fans the rest of this wild first season and, now, an expanded second season,” said AMC head Charlie Collier. “What Sam, Seth, Evan and the entire creative team have achieved in bringing Garth Ennis’ graphic novel to the screen is extraordinary. We look forward to more time with these unforgettable characters be it in Heaven, Hell, Texas or beyond.”
Netflix’s Bloodline is an interesting beast. In its debut season, the dark family drama told an incredibly compelling story about what happens when lies and deception bubble to the surface amidst a tight-knit family. It utilized tantalizing voice-overs and layered flashbacks to uncover the mysteries hiding behind all-too-believable characters embodied by an all-star cast including Kyle Chandler, Ben Mendelsohn, Linda Cardellini, Norbert Leo Butz, and Sissy Spacek. By the end of the season–spoiler alert–Mendelsohn’s scene-stealing Danny Rayburn perished and I wasn’t so sure the show could go on without his menacing presence. Season 2 picks up right where things left off, and Danny does return in flashbacks (as expected), and perhaps more surprisingly he haunts the Rayburns in the present when his son, Nolan, crashes on the scene. The second run worked, sure, but I did not find it to be as compellingly stirring and engaging as before. Without Danny as a living, breathing antagonist to the rest of the Rayburn family, I felt the plot to be meandering and lost at times. Even still, the Rayburns without Danny are still an interesting bunch to follow, and with that said, there’s apparently more story to tell now that Netflix has officially greenlit a third season.
“Todd [Kessler], Daniel [Zelman], and Glenn [Kessler] have created a riveting family saga featuring one of the most talented ensembles in the history of television,” said Cindy Holland, VP Original Content at Netflix. “We can’t wait to see what the next chapter holds for the all-too-human Rayburns.”
Stick it here for more summer renewal news. Continue reading Summertime renewals: ‘Preacher’ & ‘Bloodline’ will return
Looks like Disney’s got another winner up its sleeve! Following Zootopia, Big Hero 6, and Frozen is Moana, the first Disney film to star a Polynesian princess. 16-year-old Moana, voiced by newcomer Auli’i Cravalho, is about to embark on an exciting adventure of self-discovery across the vast Pacific. The official logline reads:
From Walt Disney Animation Studios comes “Moana,” a sweeping, CG-animated feature film about an adventurous teenager who sails out on a daring mission to save her people. During her journey, Moana (voice of Auli’i Cravalho) meets the once-mighty demigod Maui (voice of Dwayne Johnson), who guides her in her quest to become a master wayfinder. Together, they sail across the open ocean on an action-packed voyage, encountering enormous monsters and impossible odds, and along the way, Moana fulfills the ancient quest of her ancestors and discovers the one thing she’s always sought: her own identity.
This is merely a teaser trailer, and it already looks and sounds great. Moana is directed by the filmmaking team of Ron Clements and John Musker, the same duo behind such Disney classics as The Little Mermaid and Aladdin. Original music and score is provided by Opetaia Foa’i, Mark Mancina (The Lion King), and Lin-Manuel Miranda (Hamilton). The song featured here sounds a little familiar, does it not?
Can’t wait to see more from this project. Moana splashes into theatres November 23, Thanksgiving Day. Continue reading Disney’s first Polynesian princess is ‘Moana’
School’s out and to celebrate this fine occasion, I’ll be recommending a handful of quality TV shows to keep you busy in front of the boob tube over the long, dog days of summer. The months of June, July, and August play host to many of your favorite returning series including Orange is the New Black, Mr. Robot, and You’re the Worst. Haven’t heard of them? Stop playing neighbors with Patrick Star and get with the programs! Release dates, times, and trailers are posted after the break. Continue reading What to watch this summer: ‘Orange is the New Black,’ ‘Mr. Robot,’ ‘You’re the Worst’ & more